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Designers ask Adobe for a better user interface for type The introduction of OpenType fonts in 2000 offered designers a rich and sophisticated typographic repertoire.
Typeverything.com - Gebrauchsgraphik 1954.
Extra Condensed is a little letterpress newspaper, of sorts. The (very) occasional publication of work, musings and typographic meanderings from The Counter Press.
Typeverything.com “There is no room for love when there is judgement” by @jill_dehaan.
Factoria by wete1984.
Typeverything.com - The Brightness Faces by Abraham García.
Typeverything.com - Cut glass numerals by @davesmithartist
Typeverything.com - Mr Fine Line logo by Friks84.
Typeverything.com - Ampersand Rainbow by @sergidelgado92
Typeverything.com - Keep it simple by @joachimvu
Typeverything.com - Make things happen by @g_simkin
Typeverything.com - Shut up I’m dreaming” hand embroidery by @maricormaricar
Typeverything.com - Sense Of Place by @luke_lucas
Typeverything.com Anamorphic G made in the Hotel GASTON hallways in Paris by Tyrsa.
In the fifteenth century women had few career opportunities. Few, bar those in the higher social echelons were even sent to school, and women were not admitted to universities (Oxford university didn’t permit women to matriculate or graduate until 1920).
Typeverything.com - Economy Variety Stores logo, Du Quoin, IL. From the 1927 Flashlight.
Typeverything.com Paper cut typography by Abraham García.
A contemporary family from Commercial Type, a connected script by Lián Types, an ambitious sans from Hoftype, a roughed up family by Fontfabric, a hard-working serif from House Industries, a sophisticated sans by Typetanic, a historical stencil face from Storm, and an expressive family by Andinistas.
Typeverything.com Batman 75 by MEAVE.
Typeverything.com Talk is Cheap by xheart.