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The Truth Behind Banksy (According to Portlandia)


Portlandia does it again. For their latest segment taking on the art world, Portlandia have Fred Armisen’s character convinced that he is Banksy.

Kibera, 8 Years After JR

@jr eight years after on the rooftops of #Kibera . Thank you @bankslave for your time today A photo posted by gaiastreetart (@gaiastreetart) on Feb 1, 2017 at 9:13am PST Longtime Vandalog contributor Gaia posted an intriguing photo today on Instagram.

ALL BIG LETTERS Opens in Haverford, PA


Photo by Caleb Eckert If you’re in the Philadelphia area, head out on to the burbs for ALL BIG LETTERS at Haverford College’s Cantor Fitzgerald Gallery, probably my most ambitious curatorial project to date. The exhibition features specially-commissioned work from CURVE, FAUST, EKG, Egg Shell Stickers, and Evan Roth, plus contributions from dozens more artists and photographers.

United States of Immigrants


Icy and Sot hit the nail on the head with this one. Photo by Luna Park RJ Rushmore for Vandalog | Permalink

Artists in a State of Resistance


Donald Trump is president, and things have gone south even more quickly than most people imagined. Now what?

A deep dive with NTEL


NTEL in Philadelphia. Photo by Steve Weinik. NTEL is one of my favorite Philly graffiti writers. From stickers to throw-ups and extinguisher tags to beautiful pieces, plus sculpture and other methods of getting up, is one of the most versatile and unique writers in the city.

Portals to a future of healing: uplifting women of color in public art


O Wind, Take Me To My Country by Jess X. Snow. Kingston, NY, ft. Safia Elhillo. Photo by Jess X Snow.

ALL BIG LETTERS: Exhibiting graffiti tools and strategy


Philadelphia graffiti. Photo by Steve Weinik/@steveweinik. On January 20th, I hope you’ll join me in Haverford, PA for ALL BIG LETTERS, an exhibition I’ve curated at Haverford College’s Cantor Fitzgerald Gallery, just a few minutes outside of Philadelphia.

52 weeks of ad takeovers in NYC


Admittedly, things have been a bit quiet on the blog lately. Not very many posts on Vandalog, and you may be wondering what’s up, but we’ve been staying busy on a few major projects behind the scenes.

Choque Festival – street art or just marketing?


Pagu for Choque Festival. Photo by Jéssica Freitas. Vanessa Rosa, the author of this post, is an artist based in São Paulo.

America is still here.


As someone with family in the very red state of Oklahoma, I was especially happy to see Tatyana Fazlalizadeh install this message of strength and defiance in Oklahoma City over the Thanksgiving holiday. Painting a mural in Wynwood is easy, but unimportant.

Forged artworks, silly exhibitions, and the Banksy market


Melbourne’s controversial Banksy exhibition, curated by Steve Lazarides and unaffiliated with the artist, has been the target of much criticism since it opened last month.

Film the police!


Nether‘s latest mural is a tribute to bearing witness. SATYAGRAHA was painted in Baltimore as part of the Baltimore Rising exhibition at the Maryland Institute College of Art.

Why is someone emailing me about Alec Monopoly, Mr. Brainwash, and Kim Kardashian?


An object by Kim Kardashian, available now on Paddle 8. The following is an open letter to a trio of people (I’ve removed their names) who emailed me about promoting this auction on Paddle 8, and asked for my advice on spreading the word.

Drills, not guns, with Icy and Sot


Gotta love Icy and Sot. I was sad to hear that the above installation didn’t last very long, but even the attempt is pretty fantastic.

Weekend link-o-rama


Lady Liberty at Pedro Reyes’ Doomocracy Between two projects launching at Creative Time and preparations underway for two major personal projects (more on one of those in just a moment), Vandalog has been pretty quiet lately.

Clickbait: The cash, flaws and ethics of “revealing” Banksy


Editor’s note: This guest post is by Peter Bengtsen, one of just a handful of academics worldwide whose research focuses on street art, and I highly recommend his book The Street Art World.

Molly Crabapple’s mural for Syrian refugees


Molly Crabapple shaped the visuals of Occupy Wall Street, her illustrations of places like present-day Syria and Guantánamo Bay have landed her in VICE, Vanity Fair, and The New York Times, and she’s about to open a solo show at Postmasters Gallery.

Beyond wallpaper: street art works


Photo courtesy of Hyuro Note: This post is in adaptation of what I presented last month at The Art Conference in London.

Justin Giarla closes galleries, moves to Portland, allegedly screws over his artists


Justin Giarla. Photo by Lynn Friedman. There was a time not to long ago when Justin Giarla loomed large over the street art/graffiti/low-brow/Juxtapoz-friendly art scene in San Fransisco.


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