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Mary Reid Kelley with Patrick Kelley, “The Syphilis of Sisyphus” (2011), HD video, black-and-white, sound, 11 minutes, 2 seconds (image courtesy the artist, Susanne Vielmetter Los Angeles Projects and Fredericks & Freiser Gallery, New York) In Mary Reid Kelley’s videos, bawdy characters, performed by the artist, bewitch with complex wordplay.
Illustrations by Pamela Colman Smith for the Rider-Waite tarot deck (1909, reprinted in 1937) (courtesy Beinecke Rare Book & Manuscript Library) As Halloween approaches, it offers a chance to delve into the occult, phantasmagoric, otherworldly, and haunted aspects of our world.
Jamie Zawinski, Sketchup rendering of Library of Babel (2016) (all images courtesy Jamie Zawinski via JWZ) In his famous short story “The Library of Babel,” Argentine author Jorge Luis Borges imagines an infinite library that houses “all possible books,” meaning every conceivable combination of letters in the alphabet.
Vincent van Gogh, “Corridor in the Asylum” (Netherlands, September 1889), oil color and essence over black chalk on pink laid paper; sheet: 25 5/8 x 19 5/16 inches (courtesy the Metropolitan Museum of Art, New York, Bequest of Abby Aldrich Rockefeller, 1948) Every week for a year, the Metropolitan Museum of Art is showcasing a different piece from their Department of Drawings and Prints.
Clara Peeters, “Still Life with Sparrow Hawk, Fowl, Porcelain, and Shells” (1611), oil on panel (Museo del Prado, via Wikimedia Commons) It took nearly 200 years for Madrid’s Museo del Prado, the national art museum of Spain, to mount its first solo exhibition devoted to a female artist. The Art of Clara Peeters, a one-room exhibition featuring 15 works by the pioneering still life painter of the Dutch Golden Age, opened today; the Prado will celebrate its bicentennial in 2019.
Richard Mosse, “Space Wagon Mosul” (2009) (all images courtesy Jack Shainman Gallery) KINDERHOOK, NY — A Change of Place at Jack Shainman Gallery’s The School is a show of four artists exploring how our memories of a place can shift radically after war.
Charles Gaines, “Numbers and Trees: Central Park Series II: Tree #6, Fredrick” (2016), back and white photograph, acrylic on plexiglass, three panels, overall approximately 95″ x 127.50″ x 5.75″ (via vielmetter.com) LOS ANGELES — This week, LA’s newest museum, the Main Museum, has a soft opening, museums along Grand Ave.
Arboreal antics in Portland, Maine (GIF by Hrag Vartanian for Hyperallergic via @TVTEDDY/Twitter) It was a sunny afternoon in downtown Portland, Maine, and a tree was lumbering across a crosswalk in front of the Portland Museum of Art, causing a traffic jam.
Théodore Géricault, “The Raft of the Medusa” (1818–19), oil on canvas, 193.3 × 281.9 inches (via Louvre Museum/Wikimedia) As Halloween approaches, it offers a chance to delve into the occult, phantasmagoric, otherworldly, and haunted aspects of our world.
A.L. Steiner, “Untitled (MO:)RNING)” (2016), color pigment print, 18 x 24 in (all photos courtesy of Koenig & Clinton) “Hi I am going to do my best to satisfy the gallery’s needs in the midst of our anthropocenic crapitalistic global implosion.” —A.L.
Carrie Mae Weems performing ‘Past Tense’ with performers (from left to right) Eisa Davis, Imani Uzuri and Alicia Hall Moran, in a multi-media work incorporating song, text, projection and video (2016) (all photos by Beowulf Sheehan) The story of Sophocles’s Antigone never gets old.
Artist Tammam Azzam’s Statue of Liberty made of ruble. (via @ianbremmer) An image depicting a Statue of Liberty-like structure, allegedly made from bombed rubble of Aleppo, has made the rounds of the internet in the past week, with the claim that it was an artwork by Syrian artist Tammam Azzam.
Mel Bochner, “Meaningless” (2003)m oil and acrylic on canvas, 45 x 60 in. (image courtesy the artist) CAMBRIDGE, MASS.
Portrait grave marker by Oscar Blake, Saco Marble Works, Saco, Maine (1860–80), marble, 10 x 8 x 4 in.
“Now Be Here #2, NYC” (2016) (photo by Paola Kudacki, courtesy Kim Schoenstadt, Shinique Smith, and The Brooklyn Museum, New York) What do you wear to be photographed with hundreds of women artists?
Biancoshock, “Refugee Trap,” from Identity Malta (2016) (all images courtesy Biancoshock) For many Europeans, the tiny island nation of Malta is a sun-drenched tourist destination.
Installation view of Decolonize This Place at Artists Space during the “Chinatown Is Not for Sale” event (all photos by the author for Hyperallergic unless indicated otherwise) For Liz Moy, a Chinatown native, artist, and member of Chinatown Art Brigade, 2012’s Black Foliage group show in the Chinatown Arcade was a small but uneasy signal that the art world had its eyes, and real estate dollars, on Chinatown.
Installation view of Basil Kincaid / Audrey Simes: R3clamation : Inward Quest at Hoffman LaChance Contemporary (all photos courtesy Hoffman LaChance Contemporary unless indicated otherwise) ST.
Inside the Buggy Factory were projects by Enrico Gomez of the Dorado Project, who worked with Grey Cube Projects, based in Bogotá, Colombia; 12ø, based in London, England; and Proto Gallery, based in Hoboken, New Jersey.
Statue of Nathan Bedford Forrest in Memphis’ Health Sciences Park (all photos by Allison Meier) In the wake of the deadly mass shooting last year at a Charleston, South Carolina church, the Memphis City Council had voted unanimously to remove a monument to notorious slave trader and Confederate general from a public park.