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In the fifteenth century women had few career opportunities. Few, bar those in the higher social echelons were even sent to school, and women were not admitted to universities (Oxford university didn’t permit women to matriculate or graduate until 1920).
A contemporary family from Commercial Type, a connected script by Lián Types, an ambitious sans from Hoftype, a roughed up family by Fontfabric, a hard-working serif from House Industries, a sophisticated sans by Typetanic, a historical stencil face from Storm, and an expressive family by Andinistas.
The three members of the Questa family The Questa Project is a type design adventure by Dutch type designers Jos Buivenga and Martin Majoor.
By the 1990s, CD-ROMs and the Internet turned computer screens into the final display substrate. Those were the dark ages of on-screen typography.
Welcome to a new monthly roundup of type-related info and entertainment. (This will be in addition to Sean Mitchell’s excellent This Week in Fonts feature.) This month, we have movies (about sign painters, and Eric and John Gill), books (about Porchez, Baskerville, Spiekermann, and typewriter art, as well as books by Steven Heller and Gail Anderson), a Flickr group that points at things, a free typography course with Ellen Lupton, ladies of letterpress, medieval marginalia, all sorts of lettering and typography, some fun new fonts, and more.
A highly functional sans by HVD Fonts, a powerful script from Dai Foldes, a hard working slab by Fort Foundry, a charming script from Drew Melton, an energetic script by Laura Worthington, a unique text face from Canada Type, a versatile sans by Stone Type Foundry, and an ambitious slab from Hoftype.
A fast moving script by Process Type Foundry, a versatile sans from The Northern Block, a decorative serif by Zeune Ink, an energetic script from Sudtipos, a characterful grotesque by Commercial Type, a harmonious slab from Dada Studio, a comfortable sans by Font Bureau, a spirited grotesque from Latinotype, a condensed sans by MCKL, and a neutral face from Type Dynamic.
I love letters. All kinds and types of letters: small, large, drawn, sketched, painted, rough, smooth, serif, sans serif, script, roman, italic, oblique, digitized, old and new, uppercase, lowercase, all materials and media, three dimensional… Yes, I love letters, except for those that are poorly or incorrectly proportioned.
A friendly brush script by Nikola Giacintová, a new classic from Jason Vandenberg, a flexible sans by Fatype, fluid & friendly structure from Latinotype, a new sans by Monotype, a multi-colored face from Underware, an elegant serif by FontFont, and a practical sans from Ludwig Type.
Three years ago MetaDesign Berlin asked us to design a custom Serif and Sans typeface for the German federal government.
An Erik Spiekermann exclusive from Hamilton Wood Type, a sturdy slab by Rene Bieder, a high-class display from Avondale Type Co, a brush script by Mika Melvas, a modest slab serif from Type Me Fonts, a monospaced family by Matthew Butterick, a contemporary script from Petra Dočekalová, and a super family by Playtype.
A versatile sans from TipoType, a dynamic script by Sudtipos, an extreme display face from Hoefler & Co, a quirky hand-drawn family by Thinkdust, a geometric sans from Mint Type, a pair of playful stencils by Font Bureau, a multi-sources-inspired titling family from Kyle Wayne Benson, and a robust stencil by House Industries.
A graceful sans from Typotheque, a modern grotesk by Suitcase Type, a contemporary serif from Bold Monday, a letterpress family by Yellow Design, a versatile sans from Milieu Grotesque, a brush script by Doubletwo, a bold display face from Monokrom, and a modern sign painter family by Kyle Wayne Benson.
An “old Hollywood” inspired sans from Jessica Hische, a harmonious family by Laura Worthington, a contemporary serif from Grilli Type, a stylish slab by FaceType, a gentle sans from Production Type, a versatile sans by Tour De Force, a brush inspired face from Commercial Type, and a calligraphic script by Aerotype.
Cloths of Heaven is Seb Lester’s interpretation of ‘Aedh Wishes for the Cloths of Heaven’, a poem by the renowned Irish poet W.
Aware that there is no such thing as total neutrality, Neutral typeface explores how the absence of stylistic associations can help the reader to engage with the content of a text.
A monumental family from Hoefler & Co, a casual sans by Type Supply, a seaworthy display from Kyle Wayne Benson, a ferry inspired face by Letters from Sweden, an extensive script family from Martina Flor, a strong grotesk by The Northern Block, a functional slab from ReType, and a bright iconset by Symbolset.
A short film on sign painter, Mike Langley: Sponsored by Hoefler & Co. and The Sign Painter
An elegant script from Sudtipos, an aggressive face by Blackletra, a hand made family from Latinotype, a dynamic sans by Rui Abreu, a geometric sans from Rene Bieder, a cursive fat face by Dzianis Serabrakou, a lively script from Lián Types, a well-balanced slab by Parachute, a lovely sign painting font from Liebe Fonts, and a contemporary serif by Schwartzco.
Quick Post The adjustable Clampersand from Hand-Eye Supply. HT @opentype Sponsored by H&FJ. and Clampersand