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Following on from ‘Animal logo‘, Counter-Print have released a new book, collecting categorised monograms and ciphers from around the world, called ‘Monogram logo’.
The final issue of 8 Faces features interviews with magCulture founder Jeremy Leslie, Creative Characters author Jan Middendorp, Principal Designer at Adobe Type Robert Slimbach, non-Latin type expert Fiona Ross, designer / educator / writer Steven Heller, and type-designing duo Erica Jung and Ricardo Marcin of Pintassilgo Prints and Elliot Jay Stocks, also essays from Tim Brown and Christopher Murphy.
I came across this video via Twitter and was really interested to find out more about this fascinating type project and creator Christoph Knoth.
Dalton Maag Launches its Oscine font family. A font originally intended for use in low resolution TV screens has been updated for today’s digital environment.
36days is a project that aims to create a space for creation around typography and its endless graphic possibilities.
Sawdust have created a bespoke typeface for Wired UK’s May cover feature consisting of three, eight-page features all under the umbrella of what technological advances have been made; from products and wearable tech to predicting epidemics.
A simple block sans designed in a geometric style. Yet, the DNA of Pembroke remains very much grounded in British typographic history.
Mira Schendel her work and dialogues Mira Schendel (1919–1988) painter, poet, sculptor and Jewish refugee from fascist Italy to Brazil.
Brief: Make something. Share it. Faces is a studio project by Lee Goater. Started in 2011 with the creation of 8 characters.
Weingart Typography Museum für Gestaltung Zürich Exhibition: 7 May to 28 September 2014 Curators: Barbara Junod, curator Graphics Collection, Museum für Gestaltung Zürich Scenography: Mathis Füssler Wolfgang Weingart revolutionised modern Swiss typography and in doing so wrote international design history.
Slanted Magazine #23 – Swiss Issue The Editors of Slanted magazine embarked on a two week “Tour de Suisse” and talked to some of the most innovative and interesting Swiss designers about tradition, transgression and progression.
Rui Abreu is a Portuguese type designer living in Lisbon. Originally from Porto, he studied Graphic Design at the University of Porto – School of Fine Arts, where he graduated in 2003.
Four Letter Words with Dots Printhaus – One screen and lots of play. Stock generously supplied by GF Smith - Colourplan and Plike White.
Neutral by Kai Bernau, www.carvalho-bernau.com — Typotheque, www.typotheque.com Neutral was originally Kai Bernau’s graduation project for the graphic design BA at the Royal Academy of Arts, The Hague,in 2005.
GT Sectra is a serif typeface combining the calligraphic influence of the broad nip pen with the sharpness of the scalpel knife.
Neue Grafik, the “International Review of graphic design and related subjects,” was initiated by designer Josef Müller-Brockmann and published in eighteen issues between 1958 and 1965 by an editorial collective consisting of him, Richard Paul Lohse, Hans Neuburg und Carlo Vivarelli ( LMNV ).
This promotional booklet was created for Fedrigoni, and features a host of facts, printed using 9 different techniques.
Exclusive images and excerpt from Unit Editions excellent new book — Thanks to Sarah Schrauwen | Unit Editions Manuals 1 Design & Identity Guidelines | Unit Editions : An Excerpt Manuals grew out of a specific modern business requirement that surfaced in the 1950s, namely the need that the early large corporations had for control of their public image.
‘HfG Ulm | Concise History of the Ulm School of Design’ the recently published book from Lars Müller includes some exemplary typographic work — hugely influential and worth checking out Info The Ulm School of Design (HfG Ulm) ranks among the world’s most important institutions of the 20th century in modernist design.
The Apeloig Type Library is a compilation of ten typefaces created by Philippe Apeloig during the past twenty years of the designer’s outstanding typographic creation.