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Extra Condensed No.1 | The Counter Press

Extra Condensed is a little letterpress newspaper, of sorts. The (very) occasional publication of work, musings and typographic meanderings from The Counter Press.

Alan Kitching x Monotype | LCC Exhibition | Prints | Type specimen posters — TT Competition

  Until 16th October it’s really worth catching this LCC exhibition – Alan Kitching and Monotype: Celebrating the Centenary of Five Pioneers of the Poster Alan Kitching and Monotype have collaborated to produce a unique set of prints and type specimens commemorating the 100th anniversary of the birth of five graphic design legends; Tom Eckersley, Abram Games, FHK Henrion, Josef Müller-Brockmann and Paul Rand.

Fontsmith. Brandfont®

As part of a review of it’s licensing model, leading type design studio Fontsmith, has launched a new service, Brandfont®, and now offers webfonts and other formats for digital use direct from its new website.

A23D: 3D-Printed Letterpress Font | A2-type | New North Press | Chalk Studios

A23D is a 3D-printed letterpress font commissioned by Richard Ardagh of New North Press. The font is a protoype, connecting the newest and the oldest forms of print technology, and looking to the future of letterpress in the 21st century.

Financial Times – Financier typeface

The iconic pink broadsheet has recently launched its new redesign combining a new grid and typographic palette to great effect.

‘Monogram logo’ book by Leterme Dowling & Counter-Print

Following on from ‘Animal logo‘, Counter-Print have released a new book, collecting categorised monograms and ciphers from around the world, called ‘Monogram logo’.

8 Faces #8 | The final issue

The final issue of 8 Faces  features interviews with magCulture founder Jeremy Leslie, Creative Characters author Jan Middendorp, Principal Designer at Adobe Type Robert Slimbach, non-Latin type expert Fiona Ross, designer / educator / writer Steven Heller, and type-designing duo Erica Jung and Ricardo Marcin of Pintassilgo Prints and Elliot Jay Stocks, also essays from Tim Brown and Christopher Murphy.

Computed Type by Christoph Knoth

I came across this video via Twitter and was really interested to find out more about this fascinating type project and creator Christoph Knoth.

Dalton Maag | Oscine

Dalton Maag Launches its Oscine font family. A font originally intended for use in low resolution TV screens has been updated for today’s digital environment.

36 days of type

36days is a project that aims to create a space for creation around typography and its endless graphic possibilities.

Sawdust | Wired UK Display Typeface

Sawdust have created a bespoke typeface for Wired UK’s May cover feature consisting of three, eight-page features all under the umbrella of what technological advances have been made; from products and wearable tech to predicting epidemics.

Pembroke | Jeremy Tankard Typography

A simple block sans designed in a geometric style. Yet, the DNA of Pembroke remains very much grounded in British typographic history.

Mira Schendel her work and dialogues

  Mira Schendel her work and dialogues Mira Schendel (1919–1988) painter, poet, sculptor and Jewish refugee from fascist Italy to Brazil.


Brief: Make something. Share it. Faces is a studio project by Lee Goater. Started in 2011 with the creation of 8 characters.

Wolfgang Weingart | Weingart Typography | Museum of Design Zurich — My Way to Typography | Lars Müller Publishers

  Weingart Typography Museum für Gestaltung Zürich Exhibition: 7 May to 28 September 2014 Curators: Barbara Junod, curator Graphics Collection, Museum für Gestaltung Zürich Scenography: Mathis Füssler Wolfgang Weingart revolutionised modern Swiss typography and in doing so wrote international design history.

Slanted Magazine #23 | Swiss Issue

Slanted Magazine #23 – Swiss Issue The Editors of Slanted magazine embarked on a two week “Tour de Suisse” and talked to some of the most innovative and interesting Swiss designers about tradition, transgression and progression.

Rui Abreu |

  Rui Abreu is a Portuguese type designer living in Lisbon. Originally from Porto, he studied Graphic Design at the University of Porto – School of Fine Arts, where he graduated in 2003.

Leeds Print Festival 2014

Four Letter Words with Dots Printhaus – One screen and lots of play. Stock generously supplied by GF Smith - Colourplan and Plike White.

Neutral Typeface | Kai Bernau | Typotheque

Neutral by Kai Bernau, — Typotheque, Neutral was originally Kai Bernau’s graduation project for the graphic design BA at the Royal Academy of Arts, The Hague,in 2005.

GT Sectra

GT Sectra is a serif typeface combining the calligraphic influence of the broad nip pen with the sharpness of the scalpel knife.