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Nazis of America

America has battled homegrown fascists and Nazis since the early 20th century through interventions, publications and satire.

Pantone’s 2017 Color of the Year: Greenery!

Just as we’re starting to feel winter’s icy bite, Pantone’s annual Color of the Year announcement injects a much-needed shot of springtime.

One Elegant Designer

Gustav Jensen called himself a “Designer to Industry” and created some of the most stylish packaging and products of the late ’20s and early ’30s.

Extraordinary Book Design: Bats of the Old Republic

Editor’s Note: This project won Best of Region for the Southwest in PRINT’s 2016 Regional Design Awards.

Storytelling & Design: On Finite Plots and Narrative Essentials

Editor’s Note: The following article continues Johan Liedgren’s series on storytelling and its role in crafting narrative in design, advertising and film.

Type of the Future Past

“Futura. Die Schrift.” is an exceptional exhibition and catalog (edited by Petra Eisele, Annette Ludwig and Isabel Naegele, and published by Verlag Hermann Schmidt, Mainz) at the Gutenberg Museum in Germany through April 2017.

Usefulness Be Darned!

Steven M. Johnson’s new book, Patent Depending, is a collection of work done between 1984 and 2016. It consists of old work, mostly, he insists.

Lost—and Found—in Translation: The Legibility Wars of the ’80s and ’90s

Showcase your work among the finest design in the USA. Enter the 2017 Regional Design Awards today. “What did you do during the Legibility Wars?

Art Spiegelman’s Forgotten Parade

Art Spiegelman is the rejuvenator of many comic art forms and the originator of more. Maus earned him a Pulitzer Prize, but this masterpiece is just the tip of a monument built on three centuries of comics history.

A Brief History in Layout Design: The Early Grid Systems

We hear about International Style, also known as Swiss Style, often. And for good reason. The asymmetrical organization of design elements captivates the eye and the mind.

Designer of the Week: Ashley Batton

PRINT’s latest Designer of the Week Ashley Batton is an in-house designer at a fast-paced fashion startup in San Francisco, as well as a letterer and calligrapher with a love for designing prints, cards and wedding suites.

Weekend Heller: Stuff Loved and Lost

As a baby boomer I am one of millions who must find ways to manage, donate or dispose of decades of stuff.

15 of PRINT’s Most Popular Typography Articles of All Time

As we gear up for today’s Typography & Lettering Awards deadline (enter now!), we’re celebrating by pulling together a list of our most popular type and lettering articles from the past year, and all time.

From Roadside to Cloud Banks

John Baeder, the great American photorealist painter with a focus on roadside America (notably diners), has gone from having his feet firmly planted on the ground to soaring high in the heavens.

5 Pieces of Wisdom from Japanese Graphic Designer Kenya Hara

Tokyo graphic designer Kenya Hara’s name is synonymous with the changing face of contemporary Japanese design.

Changing Habits: Catholic Style

Designer-publishers sometimes do the darnedest things. That is certainly one way of understanding why London publishing imprint GraphicDesign& has an ampersand at the end of its name.

It’s Time to Resist!

When Gabe Fowler, editor and publisher of the comic tabloid Smoke Signal, devised the idea of handing out a free special issue by the tens of thousands from the back of a van during the Women’s March in Washington D.C.

An ’80s Retrospect: Productolith Paper Promotion

We’re in a more sustainable world where paper companies do far less elaborate paper samples. That’s a good thing for the globe, but I’m still nostalgic and wistful for those collectible feats of design extravagance that started in the ’70s and spread through the ’80s.

An ’80s Retrospect: Dewar’s Profiles (Hic …)

As The Los Angeles Times reported in 1989: “Thirteen years after he appeared in a Dewar’s Profile ad (‘Wildlife Conservationist; International Airline Pilot’), David O.

Designer of the Week: Eloisa Iturbe

Whether you design your own typefaces, design type-centric pieces or create gorgeous hand lettered projects, we want to see your work—and share it with our readers.