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Designed by Printed by After 8 years of publishing FPO, its time has come to end. FPO has been a delight to curate and write for, as it has exposed us to some wonderful projects, ideas, and techniques that we have learned from and been inspired by.
Designed by UnderConsideration Printed by Classic Color For a full explanation of where the identity behind the program come from, you can read this post on Brand New.
Designed by KJ Parish Printed by McNaughton & Gunn I received this book in the mail last week and I have to admit that at first I missed a key element.
Designed by Mario Martinho and Ricardo Pitanga Printed by PeterPress How to reproduce a personal journey?
Designed by Jonathon Wolfer Printed by Mama's Sauce Black. White. Rainbow. Matte. Gloss. Textured. All in balance, all made special by hand numbering.
Designed by Black Sheep Studio Printed by Black Sheep Studio Simple yet complicated. These materials tested the processes required to bring them to life--with some setting experimentation on press it all came to be.
Designed by O'Connell & Squelch Ltd Printed by Printfine Ltd The effort placed on this project by all the parties involved is palpable in its quest to become an educational and beautiful volume at the same time.
Designed by Savvy Studio Printed by Minke Humorous and ironic in content as well as design, this book invites the user to be one with the pages.
Designed by Anna Takács Printed by Digitalpress White on black is hard to pull off, especially when it comes to illustration.
Designed by Fable Printed by Dominie Press This promotional notebook seems to be blank at first glance, ready for the new owner to make its mark.
Designed by Lauren Beltramo Printed by Lauren Beltramo/ Epson Lauren took a course at the Cooper Union that altered what she wanted to attract client-wise moving forward.
Designed by Anne Kostecki Printed by Gilah Press + Design A project about love and family, trusting instincts, and fulfilling promises--and lots of letterpress!
Designed by End of Work Printed by Display bay Using discarded materials alongside newly developed ones End of Work created a promotional pieces for clients that could easily become a coveted product by designers and consumers all over the globe.
Designed by Tom Sydenham Printed by Gemini West A new magazine, Elbow Grease, wants to share the stories of entrepreneurial hardship that are often not talked about.
Designed by Graphite & Lead Printed by Cranky Pressman While we don't currently have a letterpress job in the pipeline to put these bucks into use, we have been enjoying them at the office--often paying each other for one thing or another.
Designed by Underline Studio Printed by webnews printing Not your typical newspaper project--not the content, not the layout, not the imagery.
Designed by Seegno Printed by Typoretum As stated by the designer, blind emboss never gets old. It is a great design technique we have as designers to add tactility to a project.
Designed by Marta Brinchi Giusti Printed by Mount Street Printers I find it fascinating when I see people interact with a piece of paper, playing with the movement created between paper and light--such is the case for this business card that incorporated a large holographic area.
Designed by OMSE Printed by Generation Press You don't see as many printed type specimens as you used to, so to get one in the mail is cause for pause here at the office.
Designed by Nick Matej Printed by Mama's Sauce A creative exercise that was not meant to live on as a printed piece was carefully studied and adapted to become one.